We should figure out what is Tsui Hark's movie. As one of the most important filmmakers in contemporary Hong Kong, Tsui Hark's films are not entirely equivalent to those directed by Tsui Hark. Because many films produced by Tsui Hark, although not directed by Tsui Hark, also leave a deep imprint on Tsui Hark's style. Tsui Hark entered the Hong Kong film industry in 1978 and has been involved in the production of over 140 films in the past 40 years, which can be said to have produced a considerable amount. Below, we will introduce a few films produced by Tsui Hark, which can be said to be unpopular and even suffered disastrous box office losses at the time. Looking back, these films can be said to be classic collections and have not been pursued by many fans. Chess King This film is adapted from two novels called "Chess King"—— The first book: Acheng's "Chess King" tells the story of a chess nerd named Wang who searches for opponents to play and compete in a special era. The second book: Zhang Zhiguo's "Chess King" tells the story of a talented young chess player in Taipei, where the economy has just taken off. At the beginning of this film, there were numerous scenes of the Cultural Revolution and scenes of Grandpa Mao, accompanied by the original sound of Luo Dayou's movie "Love My Comrades". Perhaps it is precisely for this reason that this film has been banned from broadcasting in mainland China. The film links two seemingly unrelated stories together, using a person's different time and space to connect two stories, One is a critique of the worship of money in contemporary commercial society, and the other is a reflection on human nature in a special era There are many commendable aspects to this film, and the most commendable one is Liang Jiahui's performance. He plays a chess nerd who has been obsessed with chess for a lifetime in the film, and his superb acting skills bring this chess nerd to life. The story of Wang Yisheng and Wang Shengfang is connected through Cheng Ling, and through his different time and space, two chess kings are connected, In the end, the two chess kings met in the same time and space, holding hands in the dark. These two sorrowful destinies, transcending the mortal world, bent over and looked at the mortal beings, smiled at each other, and slowly walked away holding hands. 2. Sanda In 2004, Tsui Hark, known as the master of martial arts films, may have gotten tired of filming the flying movements and turned to realism. I made a down-to-earth "Sanda", only fighting but not flying, with martial arts and martial arts. It can be said to be a "Sanda" documentary. The theme of Tsui Hark has always been changing, and this 2004 "Sanda" easily reminds people of Tsui Hark's "Knife", which tells the story of whether a person's glory or even the dignity they rely on for survival suddenly disappears, whether they can abandon everything and start from scratch, put themselves back in the lowest position, and strive again to find the meaning of life. The three main stars of 'Sanda' are all top domestic Sanda champions. Hellraiser Redeeming Love Bachelorette Bug Sang Weilin, who won the National Armed Police Sanda Championships in 1998 and 2000, was later selected by Tsui Hark to play the male lead Zhang Guoqiang in "Sanda". She later appeared in movies and TV dramas such as "Fist God", "Seven Swords Down the Tianshan Mountains", "Flying Fox on Snow Mountain", and "Meteor Butterfly Sword". Tsui Hark's use of Sanda as the theme seems to be a betrayal of the overly imaginative style of Chinese martial arts films, but the film is not entirely realistic like "Ah Hu". In the decisive battle between Sang Weilin and Teng Jun, a large amount of steel wire is still used,